Friday, November 4, 2011

more on negotiation and scripting


a little child in hollywood, wonder what all he will learn to negotiate as he grows up ?

Good Logline: a paralyzed soldier is given an opportunity to be an alien spy, n he starts to question those who hired him: avatar

Negotiations:

a. Stone wall

b. Attack

c. Trick

d.

Pause and say nothing

Rewind the tape- (repeat what they said)

Go to the balcony - (take a break)

More strategies

1. Stepping to the side

2. Listen actively –

a. Ack their point (but not agreeing with them)

b. Ack their feeling (e.g.-you have every right to be pissed, so would I.)

c. Offer an apology

d. Project confidence.

e. Agree without conceding

i. Agree on the weather

Ii. Agree a compromise has to be made

iii. Get a bunch of yes.

f. Acknowledge the person (go to their office)

g. Acknowledge their confidence and authority.

(Compliment them)

h. Build a working relationship.

Coverage:

Write to explain what happens in the script, should be2 pages long, + w 1 to 2 page of comment + a logline: 1 -3 sentences (best if 1 sentence)

Look for

1. Does the story have an idea, which you can say in one sentence?

2. 5 trailer moments what are they?

3. Is there an identifiable love story? Do you identify with that?

4. Is it episodic (good for TV, bad for films)?

5. Were you ahead of the script (could you predict the script)?

6. Did the writer spring a surprise (something happened which you did not presume will happen)?

7. By page 25 – 35 the big reveal should have happened (story taking a turn)

8. Is there a dialogue or scene or idea that you will not forget?

9. 3 scenes that surprised you.

All the above is the begning of coverage.

Also look for

a. Does movie open on action within page 1 – 3

b. Hero: what’s his problem, and does he come across as an underdog by page 3. (So audience will care for him)

c. How does the hero’s problem convert to need by page 7?

Eg: he is poor. Gambles by habit, n needs to win money to pay off those he owns money or will be killed.

PLOT POINT.

d. What’s the hero’s talent (he has to be good at something, very good)?

e. Meet villain by page 10, if not how can we meet him by then?

f. How has the villain created the problem for the hero before the movie began

g. How is the villa stopping the hero from fulfilling the heroes need

h. If villain and love interest is the same, it will be brilliant

i. What’s the villains talent

j. How does the villains talent put the heroes life in jeopardy

k. Do you despise the villain

l. Who is the love interest, n why do we care about it?

m. Ticking clock, what’s that, by page 25 we should know the device

n. The speed of the ticking clock should double by act 2.

o. The villain he should die 3 times

End of second act, hero should be very vulnerable, at his weakest point


Sunday, October 30, 2011

riding east on green horse


406 miles in 6hr, 30 minutes, with 3 pit stops.


started on sunday 1020 am from : chandler, Az to reach at 1640 at Culver city , LA.

was a fine drive, spoke to pals for at least 4 30 hrs, while I had network on the phone, sure helped me stay awake, thank u to :

sajana

hilary

kool ray

maria

diana

mansie ( hope your back is doing better now )


and yes was stopped by a mobile emigration check point on the arizona - california border, saw it for the 1st time, oh well the reign of fear I guess :)

Tuesday, October 25, 2011

cinematography 1-06





We need great production design to do good lighting, what will you make images of, if there is nothing beautiful to look at? ( the above example has nature doing the production design )

Decide what mood we want? What do we want audience to see?

Then comes direction of lighting overall quality

Impact of color

There are only 2 kinds of sources:

SPEACTRAL (hard) point source

DIFFUSED (sort) large source

The properties of light as such are:

HARD

SOFT

ANGLE: it suggests the location / time/ mood

COLOR: context is important, n then what the color means in that context

INTENSITY: emphasis

FALL OFF EFFECT: inverse sq. law, if a light is 400fc at 10 feet. In 20 feet it will be not 200, but 100 fc

COVeRAGE: spread of light

Motivation: the light has a realistic origin

Then there is

1. Low key

2. High key

3. Graduated Tonality

When lighting:

Place key light 1st, it defines the direction/ source / angle/ mood

Fill light is used to control the contrast of the shadow of the key light (often times from next to camera and in between the key light and the camera position.

Set light: it lights up the set, but does not touch the actors

Eg: lady from shanghai, Laura look at these movies, double life of Veronique, the showdown,

Look at the movie: the dark corner: to study lighting of different kinds.

7 kinds of lighting we can say broadly are:

1. Rembrandt

2. Frontal

3. Side

4. Broad

5. Narrow

6. Godfather (toppish)

7. Mystery (bottom)

8.

Look for a book on lighting by miller, good reference.

Light fixtures:

Fresnel

Open face

Soft

Sealed beams- naked city was shot with this. They are like car headlights, are a bank of lights.

Special fixtures: kino flows/ led lights

Often we use Fresnel for key n soft for fill

Hmi’s are 3 ½ times more powerful then tungsten light (that’s more light is generated then heat,

Tungsten light has full color spectrum, yet they are warmer (more heat is generated) almost 80 is heat, n only 20 % is light, but a better light source till now,

LED new lights in the market, but they are more harsh light,

Other recommended movies to watch for lighting are:

The pagenflower

Hustle

Drive

The virgin spring

Mildred pierce

Revolutionary road

Saturday, October 22, 2011

more business of Telivision


the time is on to hit the road again, am off to arizona again maybe this week , but before I leave here is a bunch of info on the TV land. :)



For the TV market

Shows that are good to pitch for are:

Medical: stories around

Doctors

Nurses

ER

Doctors of children

Weird doctors

Crazy addictive nurses

Cops: Detectives

Spooky detectives

CSI

Beat cops

Real cops (the wire)

Bad cops

Serial killer cops

Lawyers:

Serious lawyers

Funny lawyersJudges

Law clerks

Reality:

Investigative

Niche (pimp my ride)

Talk show

Of these 4 categories reality is non-scripted

5 are special: like animation

Children

Golf

Cooking

Single camera – shot like feature film

Multi camera is cheaper to produce; n is pre-edited as the editing happens while shooting itself.

Buyers of program are:

Networks: ABC

Nbc

Fox

Premium cable: hbo

Showtime

Netflix

Cable: amc

Tnt

Usa

Bravo

Lifetime

In film u write a script and then pitch

In TV u pitch and then once approved u write a script

TV has more money involved

In features producer and directors are main, in TV executive producer has more power